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The LOTR Movie Site
November 15, 1999Casting Characters
for the Movies
Rolando Procupez
L et's begin with
Eowyn. There is no way in heaven, hell, New Zealand, or middle-earth, for taking the
daughter of Éomund out of the script. Who will take Merry to the battle on the Pelennor
Fields? Who will fight the Nazgűl Lord? Who will fall in love with Faramir steward of the
king of Gondor, as they lay together in the houses of healing? Or perhaps Arwen shall end
in a menage-a-trois with Aragorn and Faramir? Or better yet, let's kill Faramir form the
script, in that way Denethor will only have to cry for Boromir, and not blame his younger
son for the lost of the older.
I respect Peter Jackson as a director, I love his movies,
but not him nor anyone else has the right to eliminate a key character in movie which uses
an "adapted script" and not an original one. When you adapt a script you have to
respect the main work which you're basing your script on, otherwise go and write something
for yourself, create a movie from that and nobody's going to blame you. If you're filming
Julius Caesar by William Shakespeare, you don't eliminate the ghost character, or Brutus.
In the same way you can't take J.R.R. Tolkien writings and modulate to your vision,
because it's not yours! It's his vision, and one should respect it. But, at the same time,
when you're adapting a script, you can make certain "concessions" to the story
without sacrificing or betraying the spirit of the novel.
This is the case of giving the romance between Aragorn and
Arwen more reel time, after all Tolkien himself wrote in the appendix in the third book,
narrating the first encounter of Aragorn and Arwen Undómiel in the woods, so it is
perfectly clear that they take their romance beyond the writings, and so is not a crime,
nor a betrayal of the spirit of the novel to expand in the film the romance. I don't even
mind that they made a whole romantic "Titanic a la Hollywood" thing out of Arwen
and Aragorn, after all she did marry him and give up her elven immortality. So again one
thing is to expand a character beyond the frontiers of the book, without crossing the
intended spirit of that character in the book, and another is eliminate a character, which
takesus to Tom Bombadil. How can be justified the idea exposed at Elrond's council about
hiding the One Ring with Tom, if Tom doesn't exist in the first time? Okay, we can delete
the mention of him from the council talks, and the narration of Merry and Pippin to
Treebeard, but also, and I agree 100% with David Bass, that it is killing one of the most
interesting characters in Tolkien's mythology.
When Ralph Bashki filmed his LOTR animated picture, he
comprised the first two books in one movie, so it was obvious the cutting in the story,
but one cannot advocate for Bakshi defending what was two books-one movie, with PJ at helm
is three books-three movies, so what's the point of cutting anything, because of the
budget? I don't buy that, because of the producers? They only want the money, which is not
going to happen if people won't go to their movie. Sure, there are more movie goers, who
hadn't read the books than the ones who have read them, but is it worth the chance of
having not so much audience, and flunk at the box-office? If I were one of the producers,
I will not take that chance. Moreover will Peter Jackson, preferred to be remembered as
the director of the trilogy who maybe surpassed Star Wars, or the director who kill
Tolkien's work and infuriated his readers?
Maybe I'm too childish in my conceptions, but I had enough
of the movie industry, killing good books in the name of the money machine Starship
Troopers, The Puppet Masters, 2010. So I believe something wonderful can be made out of
Tolkien's opus, if the director, producers, and script team swims in it along with the
current, and not upstream. |